23.941 file audio bebas royalti untuk "Audio Files Of Music By Felix Mendelssohn"

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires

Song: "La mañanita".- Author: Carlos Gardel (1890-1935).- Interpreter: Singer: Carlos Gardel.- Record: 1912; published: Columbia, T594, Side A, Buenos Aires, 1913. Tema: "La mañanita".- Autor: Carlos Gardel (1890-1935).- Interprete: Cantor: Carlos Gardel.- Grab.: 1912; publicado: Columbia, T594,Lado A, Buenos Aires, 1913.

Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.

Song: "Cheating muchachita (Amargura)".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Carlos Gardel- Record: Victor, 89233/1, 1934.

Rumores de la Caleta Op 71 by Isaac Albéniz

Valse les sirènes (op. 154) (1878) d’Émile Waldteufel

Català: Partitura inèdita d'Enric Granados dedicata a Issac Albèniz. Font: Museu d'Art de Girona Score by Enrique Granados dedicated to Issac Albeniz. Source: Girona Art Museum. Granados wrote, "A mi queridísimo Isaac" which translates as "To my beloved Isaac"

Final de la Symphonie N°1 de Louis Vierne - Cathédrale de Monaco 2004

sound sample from Symphony Fantastique, Berlioz

Suite espanola op. 47 - leyenda

Schumann; Carnaval

Recording of music written by Frederic Chopin

Frédéric Chopin - Scherzo no. 3 in C-sharp minor, op. 39 (Martha Argerich, 1962)

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Chopin Scherzo No. 1 bars 1-8

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Chopin Scherzo No. 1, bars 305-312

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

Basse de Cromorne, de la suite pour orgue en ré majeur.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

sound sample of Tchaikovksy's Francesca da Rimini

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

A Bull of Heaven musical piece.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"